Swedish gloom, stoner and Austrian metal.

TRIBULATION

Tribulation does it again and delivers the high quality album Where The Gloom Becomes Sound (Century Media Records Ltd., 2021), which is already heavily celebrated in music media, and not only in Sweden. The vinyl is, of course, acquired for the own collection and includes not only the 180g record, but a 16 page booklet in graphical excellence. An overall joyful customer-and music experience.

A special relation is definitely there for ‘the gloomy’ music, but also for the roots of the band to Arvika, Värmland, Sweden, where I remember spending many fantastic summers as a small boy. For this I direct much appreciation to my parents for taking my sister, brother and me out of the city to the countryside. To Tribulation I direct appreciation for setting music and words to darker thoughts and feelings. The more classical song ‘Lethe’ is another candidate for the ‘white archive’, i.e. music selection for ones own funeral and would be perfect in a church environment.

The album is highly celebrated in Swedish music press and in Sweden Rock Magazine (Issue 1/2021) it wins the months jury votes and gets a 9 out of 10 (pages 84 and 94) by Jonathan Strandlund. In the local Helsingborgs Dagblad (Jan. 27, 2021) John Palmér Jeppsson gives the album 4 out of 5 in a positive review and would probably release a 5 if the singing would rise to an even higher level (read: speculation of metalsouth). We are sad to read in the Sweden Rock issue mentioned above on pages 72-73 (by Janne Mattsson) that the extremely talented Jonathan Hultén has recently left the band (after the records production). We can only wish him good luck in new projects and hope to see him soon producing and performing. In the article we read that he has had a great importance of also this album. We at the same time wish Joseph Tholl (ex-Enforcer) good luck in joining the band and we look forward in new productions with the ‘new Tribulation’.

In conclusion, Where The Gloom Becomes Sound, we see, will be voted best Swedish Metal album also this time…an award Tribulation subscribes on for all their releases.

Tribulation, Borgholm Brinner, Öland, SE, July 28, 2018.
Tribulation, Borgholm Brinner, Öland, SE, July 28, 2018.
Tribulation, Borgholm Brinner, Öland, SE, July 28, 2018.

SKRAEKOEDLAN

We haven’t yet had the privilege to see Swedish stoner band Skraekoedlan, from Norrköping, SE, perform live, but we will take the first opportunity when given somewhere in the metalsouth region. In the meantime we can warmly recommend the reissue of their second studioalbum Sagor (The Sign Records, 2020). A double vinyl in purple and also here with fantastic artwork.

AUSTRIAN METAL

Let’s broaden our views and move out of the metalsouth region and even take a daring step outside of the country and put some highlight on the Austrian metal scene. We would therefore here shortly like to put focus on 2 bands:

ROBOKOPF

RoboKopf are very well placed in this post. RoboKopf is a collective founded in Vienna in 2018 that plays retro rock in the sound garment of early heavy rock and doom acts. Its debut release is The Echoes of Owls (Retro Rock, Proto-Metal, Heavy Psych, Heavy Rock, Doom, Regressive Gloom Rock). (Source: Band Press release). Please, take the opportunity with us to investigate and get acquainted to the band via the enclosed links. Based upon what we’ve heard, we will, for sure, follow this bands current and coming work.

Links: 

https://robokopf-art.bandcamp.com/releases
https://www.facebook.com/robokopfwien/
https://www.youtube.com/channel/UCiXNoiozdtEDMHdD2DU0APA
https://www.instagram.com/robokopf_art/
https://soundcloud.com/robokopf-art

HARAKIRI FOR THE SKY

While investigating the Austrian metal scene we also found Harakiri For The Sky via our local paper Helsingborgs Dagblad (Feb. 28, 2020, page C9) and its Sunday weekly reviews of new musical releases. John Palmér Jeppsson (also reviewed Tribulations Where The Gloom Becomes Sound, as mentioned above) is again positive and gives the album Maere (AOP Records, 2021) a 4 out of 5. He describes the Austrian duo as having a lot of longing and heartbreak and that the bands 5th studioalbum becomes 84 minutes long. We think that every minute is worth its focus.

All in all, we have now with Robokopf and Harakiri For The Sky opened the door for more fantastic music and greatly competent productions. We will listen more, learn more and look forward in keeping an eye and two ears on what Austrian metal can bring us here in the metalsouth region…and not to forget, the spreading of the word and the great music.

Swedish energy for Record Store Day

Record Store Day is here today, Saturday April 13, 2019, and we must take the opportunity to pay tribute to a couple of current Swedish hard rock-and metal productions. The Vinyl has become the natural choice for us when buying music and we would like recommend 6 albums, which are with Swedish origin.

Thundermother, Thundermother (Despotz records, 2018), formed by Filippa Nässil in Växjö 2009. A new and cruel line-up was formed in March 2017, which is right now harvesting on hard work on a tour in Europe.

Tribulation, Down Below (Century Media Records Ltd., 2018), formed in Arvika 2005. This and the previous album ‘The Children Of The Night’ (Century Media Records Ltd., 2015) voted Best Metal albums in their respective years of The Close-Up Magazine. More material on Tribulation from last summer is to be to found at this site.

Candlemass, The Door to Doom (Napalm Records Handels Gmbh, 2019), formed in Upplands Väsby 1984. The album is definitely a candidate for best metal album this year. With tracks like ‘Black Trinity’ and ‘House of Doom’ fantastic energy is created.

VA Rocks, Pull No Punches (Blackstar/Epiphone, 2016), Ida Svensson Vollmer, Klara Wedding and Frida Rosén had played together for 10 years when their first album was released in 2016. Their home base is Lund. Also now touring Europe adding massive groups of new fans with their AC/DC inspired sound and energy. Why not visit http://www.varocksofficial.com

Soilwork, Verkligheten (Nuclear Blast Gmbh, 2019), an all through metalsouth favorite, one of the reasons to start this site, with its roots in the next door village, Glumslöv. Started as Inferior Breed in 1995 and name changed to Soilwork 1996. ‘The Nurturing Glance’ and ‘Stålfågel’ kicks you right into this fantastic album.

Skraekoedlan, Eorpe (Fuzzorama Records, 2018), formed 2009 in Norrköping, the stoner influenced sound in theme produced albums has proven a success. The album needs to be listened through from first to last track…some knowledge in the Swedish language will help to get the story, but the music itself stands perfectly well!!

Have a great Record Store Day and buy buy buy!!

Borgholm In Flames with Saturday Guests!

STILL HOT!

The second day of the festival didn’t not present any relief from the tropical heat. Record temperatures between 30-35 degrees C have been noted all over Sweden over the period of early May until this day. The arrangement adapted to this with water easily accessible to mix with beer, which is produced by a brewery, in which In Flames singer Anders Fridén has a part ownership.

Tribulation (SE)

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It’s, of course, tough to be first out in the afternoon when In Flames will conclude the day. To be early this day to see Tribulation enter the stage was really a winner. The crowd not too complete yet, but instead a feeling came trough that the pure fans were there. The band was formed in Arvika in Värmland, Sweden, which made me particularly interested and proud. Interested because it was the first time seing them live after many listenings of their albums (e.g. The Children of the Night, 2015, Century Media). Proud, because I was born in Karlstad, Värmland, and we spent many wonderful summers just outside of Arvika.

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Tribulation are Jonathan Hultén, Adam Zaars, Johannes Andersson and Jacob Ljungberg. Thank you for a great performance! With your darkness and great black sound you balanced the heat and sun this early afternoon. We hope to see you somewhere in the metalsouth region very soon.

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Satyricon (NO)

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Norwegian black metal at its best! The darkness set by Tribulation was concretely bridged into the performance of Satyricon. The band formed in 1991 was a first live experience for us, but gave a wish for more. To see more of their strong visuals and experimental shows is now on our list. Also here the light and sunny afternoon makes the demands on the show harder, but we are happy that musically it was super good!

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Graveyard (SE)

Gothenburg has produced many great bands and this festival makes this concrete in its band list. Graveyard is the next in line and was formed in 2006. The band we have covered in an earlier post from The Tivoli in Helsingborg. That gig with Graveyard had Free Fall as support, which has a natural link to another band member and performance mentioned here later. Again Graveyard dominates and shows that their blues oriented rock is perfect at an evening like this! No direct talk with the audience, but the band connects to the big crowd via its excellent music.

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Graveyard members are Joakim Nilsson, Jonatan Larocca-Ramm, Truls Mörck and Oskar Bergenheim. We are thankful that Graveyard continues and we look forward to more record releases and great performances like the one at Borgholm Brinner.

Refused (SE)

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When Bullet For My Valentine unfortunately had to cancel Refused was announced as joining the festival instead. According to Dennis Lyxzén the question even though asked only two weeks ahead of the festival was impossible to ‘refuse’. We at metalsouth with tickets already acquired since long celebrated this addition to the band list. In an earlier post from KB, Malmö, Refused are celebrated for the intense and energetic performance only they can do.

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Yes, Mattias Bärjed’s band Free Fall supported Graveyard at the described gig at the Tivoli, Helsingborg. Mattias was the guitarist of The Soundtrack of Our Lives and has since the band stopped (2012) been active with other bands and not to forget his own Free Fall. He has also in his own name composed soundtracks of films like Gentlemen (2014) and Call Girl (2012). Since a few years Mattias has toured together with Refused and we were so happy to see him enter the stage at Borgholm Brinner.

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Refused are so intense on stage and Dennis Lyxzén’s ‘acting’ on stage falls in line with the  punk oriented hardcore sound the now close to filled up court yard experiences. He moves, dances and juggles with the microphone together with a band who gives it all and has great fun on stage.

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Refused are Dennis Lyxzén, David Sandström, Jon Brännström, Kristofer Steen and also for this evening Mattias Bärjed. The bands political views are clear in their lyrics and  in Dennis Lyxzén’s introduction with a question, if we in the audience were ready for some ‘revolutionary rock’. He also towards the end of the performance took the opportunity to thank In Flames for the invitation, but with a challenge in that no women or women bands were to be found on the festival stage. A feeling in our minds was clear that this will probably not be without reaction from Anders Fridén, In Flames front man and host of the festival, who was soon to enter the stage as the concluding act of the festival. The tension was in the air to see if there was to be a reaction. Still Dennis Lyxzén made us  at metalsouth immediately to think about candidates like Thundermother, VA Rocks and Arre Arre, as our particular favourites!

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In Flames concludes the festival

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It was time for In Flames to conclude the 2 day festival by performing again as the headline act. Many of us asked how they were to attract the audience again and not copy the Friday ending show. This had In Flames, of course, had thought through and planned for some Saturday conclusion gig surprises. At the intro, and for a couple of songs, a string quartet was on stage and made us ‘second time in a row goers’ very surprised and tempted to stay to the final end of the show.

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And yes, Anders Fridén took up Dennis Lyxzén’s comment on no women being invited to the festival. He started by celebrate Refused as a band and Dennis Lyxzén’s dance-and microphone abilities. He could not himself treat a mic like that since his is wireless!!

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Luckily or was it all planned??…a woman violinist (sorry, that we don’t have the name) showed up as member of the string quartet on stage and Anders Fridén turned directly to Dennis Lyxzén and now waits to see a female band member in Refused!! If the verbal battle between the two singers was planned or not doesn’t really matter. The festival was a success with the band list it offered and from this debate only gives room for more bands next year and hopefully for many coming years.

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Musically, again In Flames performs as a world class band and we don’t need to go into details on song list. To be headline act two nights in a row demands a good long list of songs, which this band has! Anders Fridén was happy for the support and the ca. 9 000 sold tickets over 2 days must be considered a success. We can now only hope that the event also financially is a success to give In Flames the incentive to do this again. The Borgholm castle and the surroundings are just fantastic for a metal event. We would like to direct our outmost thanks for giving us the party of our lives over 2 days and we can only hope for a new gathering in 2019. Then maybe also with fireworks, barbecue possibilities and slightly less heat!

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(sources of information: many thanks to Wikipedia and Metal-archives.com for being there)